Studio A at Phase One, built in 1974 by renowned designer George Augsperger, is the quintessential recording environment. From it’s vintage Neve console in the control room to it’s acoustically pleasing 1,500 square foot recording area, everything about this room says “classic”.

The control room’s centerpiece is a 14’ fourteen foot Neve console, the result of joining two Neve’s together, and thus it features both 1073 and 1084 modules.

There is always a powerful ProTools HD system as well as Studer 2” (24 and 16 track) and 1/2” analog recorders. Well respected outboard gear fills four bays in the producers desk, including classic and modern compressors, eq’s, effects and mic pre's.

A wide variety of microphones are available – 70 in all – and if we don’t have the mic you need, we can usually rent it.

A Hammond B3 organ and Leslie cabinet, a Yamaha C7 Disclavier piano and a variety of guitar amps are always available and complimentary.

Seating for eleven, versatile monitoring, sync to picture capability, a large private lounge and wired or wireless internet connectivity make Studio A an easy place to spend the better part of a day.


Legendary artist such as Sting, Herbie Hancock, Kiss, Alice Cooper, Bob Dylan, Keith Richards, Harry Chapin, Rush, Triumph, Tom Cochrane, BTO, Anne Murray, Air Supply, Saga, Tragically Hip, Jann Arden, Enrique Iglesias, Barenaked Ladies, Catherine Zeta-Jones, Chantal Kreviazuk are some of the many who have cut tracks in Studio A at Phase One.



Equipment List


A Room (recording) Dimensions:
Live room 30'x50'
Control room 24'x20'

Console: 80+ input Neve 8026 Series (1973) (54 faders + 24 inputs on monitor section + 8 busses)with Optifile VCA automation, (4) Neve 2254 compressors, console includes (24) 1084's & (18) 1073 mic pre-amps & Eq's and 4 filters


Recorders: Studer A800 Mark III 2" analog 24 track, Studer A820 2" analog 24 track, 24 channel Dolby SR (floater), Alesis ML9600 Masterlink CD recorder, Apogee AD1000 converter, Universal Audio 2192 AD/DA converter, Studer A-80 1/2" 2 track recorder, Dolby SR two channel (modified).


ProTools: - Digidesign ProTools HDII, (2) 192's, (1) Apogee A/D-16, SYNC I/O, Mac G5 with dual 2.0 Processors, two LCD 19" monitors.
Plug-ins include Antares Auto-tune, Focusrite D2 & D3, Amp Farm, Bomb factory, Waves Platinum Bundle, etc.


Speakers: - Genelec 1031's, Yamaha NS10 (with subwoofer), Auratones , B&W' 600, Kranis Custom main monitors.


AC Power conditioning:
Equi=tech balanced power .15 and .20, Tice Signature powerblock 3


Headphone System:
7 Mytek Private Q stations


Headphones:
(6) AKG 270
(10)AKG 240
(10)AKG 141
(6) Fostex T40
Audio Technica ATHD40
(50) Sennheiser EH1430


Amplifiers: - (3) Crown DC 300, Crown DC150, Amcron Microtech -1000, (2) AB 1200, Bryston 3B


Pre-Amps
(24) Vintage NEVE 1084's on console
(20) Vintage NEVE 1073's on console
(4) Daking 52270 mic-pre/eq's
Avalon VT737 mic pre & EQ
DW Fearn VT-2 Dual Vacuum Tube Pre-amp
Demeter VTMP-2B 2ch Tube mic-pre
(4) API Pre-amps

(2) 4 input Ampex Classic AM10 Pre-amps.


Outboard:

Alan Smart stereo compressor
(2) Empirical Lab EL8 Distressors
Pultec EQP1
Pultec EQP1A
(4) Geoff Daking 91579 compressors
(4) Daking 52270 mic-pre/eq's
(2) Compex F760 X-R Limiters
Universal Audio 2-1176
Urei 1176N
Teletronix LA2A
Tubetronix TM-2A compressor/limiter
(2) DBX 902 De-essers
Avalon VT737 mic pre & EQ
Manley Massive Passive stereo eq
TL Audio Dual Valve Pre-Amp Compressor
Focusrite Red Stereo Compressor
(2) UREI LA-3A Compressors
(2) Lynx time align synchronizers



Effects:

EMT 140 Tube Plate
Lexicon 480L
Lexicon PCM-41
AMS dmx 15 Digital Delay
AMS dmx 16 Digital Reverb
TC Electronics Digital multi-tap delay


Video Monitor:
Sony WEGA 36"


Yamaha C7 Disklavier Grand Piano



Hammond B3 with Leslie Cabinet







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